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Music with Matt: 2013 Coachella highlights

mattmusic

Sunday night saw The Red Hot Chili Peppers closing this year’s Coachella Festival.

2 weekends, 6 days, 175 acts, and 180,000 fans later, here are just a few of the highlights from both weekends.

As proceedings drew to a close on the first weekend, a windstorm with gusts of over 75 mph ripped through the usually quiet desert community of Indio in California, blowing dust and sand into the faces of the festival faithful who had made the annual pilgrimage, leading one unhappy punter to dub the heads-down, squint-eyed march to the parking lot as “the hipster trail of tears”.

 

The Red Hot Chili Peppers closed the festival

The Red Hot Chili Peppers closed the festival

After much speculation that Phoenix would close their first Saturday night set by collaborating with Daft punk, they threw everyone a curve ball by unexpectedly being joined by non other than R. Kelly, for an extremely unlikely mash up of their song “1901″ and the R&B star’s “Ignition”. Everyone gasped, took photos with their phones, then boogied for all they were worth!

The Dropkick Murphy’s opened an emotionally charged set on the second weekend with “For Boston” whilst a flag with the city’s seal waved behind them. The band thanked the crowd for “showing so much support for the people of Boston,” and went on to dedicate “Your Spirit’s Alive” to everyone supporting the city. They also raised upward of $100,000 to benefit the victims of the Boston Marathon bombings and their families.

Dropkick Murphys opened their set with a tribute to Boston

Dropkick Murphys opened their set with a tribute to Boston

The Brits were well represented with Blur, Stone Roses, Franz Ferdinand, and New Order all occupying late night spots.

New Order delighted the audience by playing their former incarnation Joy Division’s classic “Love Will Tear Us Apart” on Saturday night/ Sunday morning. The Stone Roses, who closed Friday night ahead of Blur on the first weekend, switched places with the Britpop legends for the second weekend. Although no official reason was given for the switch, The Roses first weekend crowd was conspicuously small. Apparently, although iconic in Britain, many of the festival-goers had never heard of the band! Blur, of course, drew a huge crowd that enthusiastically “Woo-Hoo-ed” their way through “Song 2″, causing one of the less educated audience members to cry “These guys are gonna be big!” Perhaps they didn’t really know who Blur was either!

 

Blur hit the stage at the festival

Blur hit the stage at the festival

One of the highlights of this year were indie-rockers Yeah Yeah Yeahs and in particular their lead singer Karen O. Dressed in a purple sequined pant suit one weekend and an embroidered canary yellow the next, she swung the mic, then swallowed the mic, bounce up and down on the drum riser, and generally covered the stage like a whirling Dervish. In “Cheated Hearts” she sang, “Sometimes I think that I’m bigger than the sound,” and after Friday nights performance it was clear that yes, sometimes she is!

The Yeah Yeah Yeahs were a favorite

The Yeah Yeah Yeahs were a favorite

 

As is usual with Coachella, the celebs were out in force. Troubled actress, Lindsey Lohan was spotted hanging at the backstage artists village on Friday, just a few weeks away from her 90-day rehab lock down. Rob Pattinson and Kirsten Stewart were seen knocking back the Gatorade (gasp) during the Jurassic 5 set, and amongst the other stars in attendance were Clooney squeeze, Stacy Kiebler, Leo DiCaprio, and German actress Diane Kruger, all enjoying the sounds in the sunshine.

 coachella

Music with Matt: The flag bearers of cool Britannia, Blur are back, but have they played their swan song?

By Matthew Cheadle

Brit pop greats, Blur, have released an album of their Sunday night gig at London’s Hyde Park just hours after the concert finished. Available as a download on i-tunes, the gig which coincided with the Olympic closing ceremony festivities, may well be the band’s last ever.

In sharp contrast to the fireworks and razzmatazz of ‘The Symphony of British Music’ being held at the Olympic Stadium a few miles away, the concert, called ‘Parklive’ (after Blur’s iconic 1994 album, ‘Parklife’) arguably displayed as much passion for British music, and with The Specials, New Order and Bombay Bicycle Club in support; a stream-lined version of cool Britannia from across the past 35 years.

Opening up with an energetic “Girls and Boys”, the first thing that is strikingly noticeable is the voice of the crowd singing along with every word. In fact during all of the band’s most famous moments from “Beetlebum” to “Country House” and in particular to “Parklife”, where the audience yells out the titular response with unrestrained gusto, the feedback from the sixty thousand present reveals the love the British public still have for this band, how great a live occasion it is when they perform, and how much they will be missed if indeed this is their swansong.

Attacking the songs as if they were playing them for the last time, the band blast their way through to their traditional closer, “The Universal”. Already a bit of a lump-in-throat kind of tune in its own right, with its wistful chorus refrain played repeatedly by the horn section at the end, singer Damon Albarn could be seen blinking back tears as the crowd sang along, arms aloft….possibly for the very last time…?

Whilst it would be easy for a show such as this is to get bogged down in nostalgia, Blur still provide en element of the here and now. They sent out thoughts to Syria before inviting Khyam Allami, a young Syrian oud player to the stage to play on “Out of Time’ and also give a shout out to Olympic hero Mo Farah before launching into a ferocious “Song 2”, once again ably backed by the crowd! Also included is the song, “Under the Westway”, written in February in anticipation for the Olympics and that night’s gig, and particularly poignant amongst all the recent furor surrounding London, from a band whom, with the exception of The Who, were probably the most ‘London’ of all the artists performing at either of the Olympic concerts that night.

Interestingly the band was paid only £300 (around $460) for performing, but as Albarn declared, they weren’t doing it for the money but, “a chance to play to a lot of people in London. In the sense of the Olympics, it’s nice to get involved and celebrate this amazing city. Everyone’s feeling pretty good about London, and I’m there with that because I love this city.”

As the unofficial “cool” closing ceremony and the recording of Blur’s possible final performance, this album illustrates the special role that British music plays in British culture with as much power and perhaps more cultural relevance than it’s bigger brother across the city.

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